Carnival Pilgrims

Les caravanes de nomades traversant les plaines sans limites… Un pèlerin solennel portant sa croix lourde tout le long de la Via Dolorosa… Un couple de Japonais extasié devant l’acteur qui joue Santa Claus… La salle du Louvre remplie de touristes qui essayent, chacun, de prendre en photo Mona Lisa… Pourquoi les hommes se déplacent-ils ? D’où vient ce désir, à jamais inassouvi, d’explorer les coins éloignés du monde ? Carnival Pilgrims est une réflexion cinématographique sur le phénomène du tourisme mondial et notre éternel désir d’être ailleurs.

« When I tell people about the basic concept of the film, I often face a certain bafflement. Especially so, after I’ve explained that I’m not at all interested in the more extreme types of tourism (war, sex, shock tourism etc.), but in such commonplace phenomena like sightseeing, lying on the beach, taking selfies or visiting museums. And indeed, if you do not happen to be one of the travellers yourself, tourism is actually a rather boring stuff. And this is precisely why tourism interests me: due to its absolute banality, we all think that we know what it is all about, yet we don’t. I feel that in tourism, we have a massive blind spot in relation to the idea of ourselves, a revelatory opening to the nature of contemporary experience. » Mika Mattila

« This isn’t a long film, yet it feels massive in scope. Mattila has traversed the globe in an effort to capture events from North America to the Nepal. Connected through three movements, Carnival Pilgrims creates an emotional bridge throughout history that transcends exposition. Poetic motion through space and time allows us to understand our effect on this earth and other cultures. More esoteric moments combined with narration from the epic of Gilgamesh reach the highs of Godfrey Reggio’s brilliant KOYAANISQATSI. » Joonatan Itkonen, toisto.net