The film explores the complex dynamics within the academy's theatrical rehearsals, where the lines between performance and reality are blurred.

Inspired by the work of Yoshito Ohno, a master of Butoh, a form of dance-theater born in Japan in the 1960s, this experimental film constructs a sound choreography based on an audio recording by Ohno. Whether intensely colorful or abstract and monochrome, the film is a sonic and visual echo of the chaotic post-war climate.

As if in a dream, Wayne emerges from a game show to travel across an interplanetary shore. His visions lead him to encounter Tranquility, a water planet that communicates with him.

A buoy floating in the middle of the water. Afraid to Live is an experimental film that explores the fear of living the life we ​​want and the choices we make.

When love comes knocking at Greta's door, her world is turned upside down. As her passion grows, things take a turn for the worse, but they're about to change.

"Inanimate objects, do you have a soul?" The wounded objects collected by Georges Banu echo Lamartine's questions. Wounded objects, wounded souls. In this film, Georges Banu talks about the objects he has gathered around him and which have accompanied him in his writing and his reflection on art: masks, puppets, sculptures, paintings...

A journey through the skies on a flying carpet with a grandmother who has just been freed from a labor camp in Xinjiang, China.

This short film explores the cyclical nature of creativity, highlighting the importance of the public domain as a source of artistic inspiration. The film critiques Disney's efforts to control intellectual property, including aggressive lobbying to extend the copyright on the film Steamboat Willie.

A young immigrant actress, disguised as an enormous bear, embarks on a surreal odyssey through the suburbs of Soviet-era Berlin, where a chaotic birthday party mixes humor, tragedy, and memories of a home she can't forget.

Gina's death forces Greta and Gemma - her sisters - to reunite after a long time and question whether sharing the same blood really means being related.

When Sinem tries to escape her problems, she embarks on a nighttime wandering. For once, she lets herself be guided by chance.

A beetle abandoned by its kin lives in the heights of an oak tree. Under the insect's intrigued gaze, a hiker pitches her tent at the foot of the tree to spend the night, while a group of forest rangers mark the trees slated for felling with a red line.

Roksana identifies as both Roma (Gypsy) and Polish (Gadji), but each culture demands that she reject the other. Working as a teaching assistant, she is determined to ensure that Roma children remain in the Polish school system.

Ruminating on the encroaching influence of civilization in forests and the ways humans disrupt and alter the intimacy between animals, the film questions the ethics of our intrusion into the natural world.

Death is on the horizon of all life, and yet we know nothing about it and can say nothing about it. We can only try to capture a few reflections of it through the mirror we hold up to it: myths, rituals, dances... which then become places where connections with the unspeakable are established.

Robert Peary, an American explorer, believed over 100 years ago that the only way for a human to reach the North Pole would be to have children with Inuit to create a superrace that would combine Eskimo strength with Western foresight. Following in the footsteps of this theory, this cinematic essay sets out in search of this "superrace."